Big Brother: Shit
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Before we get shit deep in a photo mix from this past weekend's DC Shoes x Big Brother skateboard magazine launch event, check out that fancy-ass banner at right! Tremaine and Kosick really knocked it out of the online ballpark. So if you want to buy the book, go on, click the image and be whisked away to a magic page on Gingko Press to do so. Should you have any reservations about doing so, please put them aside because the Big Brother book is a best, worst, and who fucking cares collection of content from the magazine with all-new editorial blurbs by former staff members Marc McKee, Earl Parker, Sean Cliver, Rick Kosick, Dave Carnie, Dimitry Elyashkevich, Chris Nieratko, and Chris Pontius. Bonus: It is guaranteed to not fit easily onto any bookshelf, thereby by forcing you to leave this shit out on a coffee table for all to see and roll upon. Now onto the potpourri of people...
Left to right: Tracy Lynn and Wee-Man, the original blue man and shit cover model; Contributor Pat Canale creeps up on Big Brother editor Dave Carnie, advertising director Heather Lee Jones, and that guy who shot himself in the second Big Brother video; Kosick and Tremaine bookend the legendary pro skateboarder Chad Muska.
Janelle Pierzina, who has competed in multiple seasons of Big Brother, expressed sympathy for Taylor. She wrote on Twitter, \"Let's make the beautiful quiet women who has literally done nothing but breathe, cry and make her feel like shit. She is crying after hearing Poloma talk crap about her. So fricken sad.\"
What did you filmMy friend dressed up as a ninja and we went to the Rose Bowl in Pasadina. He was just head to toe in $500 worth of ninja gear. He had claws for climbing trees, he had nun chucks, he had a full strip of ninja stars across his chest. I needed to get something to show these guys that I was cool, but we had nothing, we were like kicking over golf bags and shit.
Big Brother was spawned out of rejection. Transworld refused to run an ad with Gabriel Rodriguez holding a .44 magnum to his head after failing to land a trick so Rocco made a magazine that would. Did you have a definitive mission statementRocco's primary focus was to make sure Big Brother was as wild as the kids on his team were. He wanted it to be the example of everything parents didn't want their kids to be exposed to. To be honest, I never really liked the name Big Brother at first because of the Orwellian nature of it, but then it started taking on a different connotation: We are the big brother that is going to show the way and tell you the shit your parents would never tell you. We were the bad influence that parents tried to protect you from.
Was there ever an ethical or moral line you refused to crossDude, there was never a line. Anyone who pitched something insane or taboo, it got in. Stuff that shouldn't have gotten in, looking back, always ran. There was no line. Sometimes I regret that [laughs]. The very first article that got us in trouble with national attention was the \"How to Kill Yourself\" piece. We thought it was hilarious at the time because it was specifically in reaction to how boring skateboard mags were when it came to teaching you how to do tricks. Writing about how to do tricks step by step never made sense to us. So instead of \"How to Ollie\" we had \"How to Kill Yourself.\" It almost worked as satire. It was terrible shit! But we did it all because there was no one telling us no. We were encouraged to push it, so we had the responsibility to do so.
The term DIY is thrown around a lot these days. What did it mean for you back thenIt was all self-generated. Rocco funded the whole thing. He hated middlemen. He was buying state of the art Macs at the time. Fucking drum scanners, too. Mind you this used to be the type of shit you would have to send out to a big service bureau to get done. Rocco pioneered desktop publishing. He really got us everything. We'd even output our own film. I know this all sounds like a foreign language now that the world is digital, but we'd do our own color separations, too. Big Brother was steps ahead of what any other DIY publishing house was doing.
Did you feel any static from Thrasher or Transworld Did they ever give you shit for stepping on their turfLet's just say it: Thrasher was getting stale, and Transworld was a bunch of pretty pictures and that was it. Big Brother came in and re-introduced the punk rock, fuck-all attitude that skateboarding was missing at the time. Since then Thrasher has gotten great again, but there was a lull in the early 90s where Thrasher sucked, so we took advantage of that.
Today niche voices have more platforms and wider reach thanks to the internet. It feels like Big Brother laid this foundation 25 years ago.We were doing a print magazine the same way someone would do a podcast today. It was all birthed from this DIY spirit. We were a staff of four of five people doing everything except the physical printing of the magazine. That's a lot to do. The technology was changing so fast, and we adapted to it, much like creators are adapting to tech today. Now it doesn't take a whole lot to make a TV show. I mean, just take a look at VICE, who has been a pioneer in creating great shit with small crews. It's been so awesome to see. It's very much what we were doing at Big Brother.
How do you want Big Brother to be rememberedTremaine: I just want people to remember Big Brother for being something radical. I haven't seen anything as revolutionary on the scene since. God dammit, the artists have to step up. It's all do it yourself. You don't need the Man to publish or distribute your shit out there.Wee Man: This doc will show that none of the Big Brother team was forced together. Like, people thought Jackass was due to some sort of casting call or something. Dumb shows how this group of outsiders coming together and at the heart of them was skateboarding. The stunts and crazy articles, that came second. All of this started from skateboarding. Period. I know the state of skating has evolved, but skateboarding for me has always been fuck the system. I was always told I couldn't do things, so my entire motivation was to be like, \"Fuck you. Watch me.\" Big Brother was always fuck the system.
What's the most valuable lesson you learned working at Big BrotherRocco ingrained this one in me: Once you have the chance at creative freedom, you can't go back. I've never been able to not have it. If I don't have that creative space, I walk away. Rocco gave me the opportunity to see that light. He was the guide who let me do whatever I wanted and inspired me to push the fucking boundaries. I never looked back. So I try to inspire people to fucking turn it up a notch. Don't be a pussy [laughs]. Make your own shit. Don't accept no for an answer. If there is something you want to create, you have no excuse to not go out and do it anymore.
After Thursday night's joke of a launch night, quite frankly I've seen enough to realise that what used to be THE best reality TV show around, has relinquished itself of all originality, humour and ability to actually come up with a proper twist, decent enough to excite any viewer. Between, the repulsively designed house layout, Emma Willis's wooden presenting and unsurprisingly the producers lack of charismatic housemates, the show continues to follow a downward spiral, which I have no doubt will result in Channel 5's cancellation sooner than expected - perhaps after they at least milk another couple of shit series' out of what dignity the producers have left of the show.
On the topic of presenters, the northern girl on 'Bit on the side' wasn't bad at all (what's her name again), however I can't imagine anyone giving a shit about her whilst Rylan shares her centre stage! To be honest, although the Essex lad is talent-less, I think he's nearly bigger than the show himself. Saying that, what on god's earth has he done with the teeth
Hey [P.Y.], Hey bro it's your boy Biggie Boy ... But for real homie you gots to help me out and let them know it was all self defense that I was doin 'cause hey homie I don't remember anything that went down but that I was get (sic) socked... Don't show this note off to nobody but you, after reading this note, toss this away Bro or burn it OK. Damn bro let [C.Y.] know I didn't meant to do that shit and that other dude 'cause hey bro that wasn't I meant to do... I hope you or [C.Y.] don't go against me and get me locked up. I ain't tryin' to do prison time, bro. C'mon dang help me out and let [C.Y.] know 2 by your own words. Don't show him this note or anyone else. Just tell [C.Y.] that it was self protection myself like any1 would do 'cause that's real.... Damn bro I don't wanna do this time shit and you already know how it is. Help me out , bro'....Cmon bro you gots to help me out with [C.Y.]... For real holmes, a homie can't go back and don't plan 2. Feel me So ask them and just keep talkin' 2 them and ask them if they could help me out and don't show up 4 court or something....Biggie Boy\"
CHUCK D: A lot of them are in the 96 to 102 range, whichpeople will say is slow for PE, but then again, these are peoplethat--what's danceable here [points at East Coast on map] don't meanshit. I just come from Kansas City.
CHUCK D: Not for me at all. I like blues more thanjazz. 'Cause blues deals with lyrics--more feeling, you know what I'msaying And it has so much ironic twist in it--it's usually about theslightest shit that black people talk about, you know, day by day. AndI do a lot of hanging in places like down South, Louisiana,Mississippi, and Atlanta. 59ce067264
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