ELO Electric Light Orchestra On The Third Day 1973.rar

"Tightrope" is a definite highlight, not only on this album, but also in all of ELO's later repertoire. That lovely, orchestral passage at the beginning just really sets the stage for the album and the feelings of melancholia (warm breezes blowing through a car window in the early evening) are very strong, but the music only evokes those feelings. Even the contrast with a more rock-ish style once the vocals start, the contrast between the orchestral part and the heavier part just flows so smoothly. "Telephone Line" is another nice track with a sort of doo-wop sound of slow early rock from the 50's-60's, plus a lot of more modern twists. I'm not a huge fan of "Rockaria!" as it seemed a bit convoluted with the operatic vocals mixed with the harder rock sound and the somewhat corny lyrics, but I never really skipped past or ignored the song either. Then "Mission" brings back the melancholic style again with an edge of mystery surrounding it and the "alien" theme that goes with it. Again, warm summer nights come to mind.The 2nd half begins with the two main singles from the album, both of which were still nice sounding artsy pop and always pleased the ear when they were played on the radio. The funk (albeit a bit plastic sounding) of the goofy "So Fine" and the nice, smoother sounds of "Livin' Thing" that even throws in a bit of dissonance to show that Jeff Lynne still used a bit of risky sound, yet pulled off a hit anyway. Between this and the next hit on the record, that hard rocker "Do Ya" with the irresistible guitar riff (reminiscent of "Ma-Ma-Ma Belle" from an earlier album), is a nice little track that tends to get lost because of it's placement on the album, that is "Above the Clouds". I always loved this track because it seemed to be the most ignored, but it always seemed to give me a sense of peace and well-being when I heard it. It was always my own personal favorite from the album. It all ends with the symphonic "Shangri-La" which works as a perfect finale for the album, even though it had that obvious and somewhat corny reference to The Beatles. Still, it all came together quite well and I always had a lot of love for this album back in the day.Be that as it may, it has lost a bit of that charm that it used to have for me. It hasn't really garnered the long-lasting respect that other albums from back in the day still have. At least, this album still has a degree of artiness to it's pop, but for ELO, that would even soon be given away for safe, more commercial pop that would come after "Discovery" where all of the art would be taken out of the art-pop of ELO. This album will always be important for me on a personal basis, but as far as from a respected and progressive style, this album is only a good album and not really that essential. I always get a little torn about reviewing albums that mean so much to me mainly because they were around while I was younger, but looking at this from a progressive stand point, 3 stars seems fair. social review comments | Review PermalinkPosted Sunday, October 10, 2021 | Review this album | Report (Review #2601449)

Originally released in 1974 on famous German label Bacillus, Dzyan's third and final album, ELECTRIC SILENCE is recognized for its daring world beat elements, and totally acidic album cover art. Dzyan refined their sound even further into improvisation and exotic sounds, mixed with weird experimentations and mysticism. ELECTRIC SILENCE offers other-worldly music of incredible beauty and strangeness, influenced by the music of Asia but taking it into far more original realms. Multi-instrumentalists Marron and Karwatky experimented with sitar, saz, tambura, mellotron, synthesizers, bass-violin, and a mysterious invented instrument called 'super-string', all merged in an extreme melting pot of styles, ideas and fertile imagination, interacting into a 'psychedelic worldgroove'; while Giger, bursting with creative power and virtuosity, holds it together with his fantastic drumming. From the weird opium-den trancesoundtrack of 'Khali' to the more funky 'For Earthly Thinking', to the even wilder tracks like 'The Road Not Taken', Dzyan crafted one of the finest and most unique works of the Krautrock era. ELECTRIC SILENCE, an amazing work on its own, rhythmically adventurous and unique jazzprog, is indeed one of the landmarks in experimental rock, a masterpiece.A highlight in German rock history. Don't miss this first vinyl-reissue transferred from original mastertape with 4 pages insert, band history, unseen photos et. al. Limited edition.

This special limited edition contains the original ET CETERA's epononymous 'silver cover' album (1980 reissue on Brain titled 'Lady Blue'), originally released in 1971 on Global Records and another complete LP of recordings from the same recording session. This is an extraordinary album of weirdly trippy fusion that rides somewhere between instrumental Amon Düül II, Embryo and Dauners own earlier classic 'Output'. Full of ethnic (Arabic and Indian) spice with lots of the ethnic colour added by legendary guitar and sitar (et. al.) player Sigi Schwab (Embryo), oddly keyboard sounds by Wolfgang Dauner, dreamy bass patterns by Eberhard Weber and driving percussions by Fred Braceful and Roland Wittich, this is spacy, crazy, Krautrock and - a bit jazzy. Alan and Steven Freeman (The Crack In The Cosmic Egg) present this album in their 'The Krautrock Top 100'. Maybe the album was originally planned as a double-album because there are 4 more titles from the same recording session, which really knock you out. 'Kabul' (08:56) (title-name is program) is a killer, especially because of Schwabs exploding electric guitar and Webers driving bass. 'Tau Ceti' (07:15) is a wonderful dreamy delight presenting Schwabs gorgeous acoustic guitar playing. Further bonus track 'Behind The Stage' (06:35) connects Schwabs special electric guitar with a band atmospheric but rhythmic fundamental play. 'An Open Cans' (not an the CD-Version, for the first time ever released) is a 12:35 minute piece full of experimentation and reminds sometimes to album track 'Lady Blue'.This album will be a masterpiece for all time. It's unique. Remastered from the original master tapes. The sound is brilliant. Double Album comes with informative four-sided insert and a reproduction of the original album ( Silver Cover ) sleeve art.Limited edition of 1000. A must!

This is a real gem and a long time lost jewel in the history of psychedelic and electronic space music. Emerald Web was a music duo consisting of Kat Epple and Bob Stohl, existing from 1978 - 1990. They released 11 albums, of which Dragon Wings and Wizard Tales was the first one, and toured the US constantly, till Bob Stohl passed away in 1990 at the age of 34. Besides the release of 11 albums, Emerald Web composed also soundtracks for a lot of films. Emerald Web created a unique blend of psychedelic and electronic space music and acoustic instruments. Mainly they uses keyboards, digital orchestrations, flutes and lyricon. Lyricon is an unusual hybrid synthesizer/ woodwind instrument that creates a variety of sounds such as electric guitars, oboe and french horn. 'Dragon Wings and Wizard Tales' shows psychedelic folk and rock parts as well as little ambient parts mainly melodic and full of fantasy, a real psychedelic folk (and rock) trip. Album has been remastered and comes with four sided insert which includes comprehensive band story and liner notes to each title by Emerald Web member Kat Epple and all lyrics. There are also rare and unseen photos. A secret tip not only for lovers of the genre but also for people with open minds! Highly recommended.

This is the first official re-release of Danish act Secret Oyster`s debut album and the first of a series of 4 reissues of Secret Oyster legacy of 4 fantastic albums from 1973-1976. Originally it was released through CBS Records in November 1973. Secret Oyster was founded by former members of Burnin´ Red Ivanhoe, Coronarias Dans and Hurdy Gurdy, all well professional and prolific Danish musicians. On their first album, internationally also sold under the name Furtive Pearl, the band play a jamming, slightly psychedelic type of instrumental prog -jazz-rock with strong and memorable themes which provide some hooks to hold on to. Dominant instruments on the album are guitar, organ/ electric piano and alto/ soprano saxes, latter played by Karsten Vogel who is known for his great work with Burnin´ Red Ivanhoe. The drums keep a steady driving beat throughout most of the album and formed with the bass a swinging rhythm section driving the music forward with constant energy. This is a fantastic album for lovers of the type of progressive rock with jazzy influences featuring long, improvised and instrumental sequences with a hard rocking rhythm section playing with unbelievable energy. Secret Oysters´ first album is a real tour de force, a high quality progressive jazz-rock album you shouldn´t miss. Album comes with band story and rare photos. Remastered from original tape with brilliant sound. Extremely great stuff!

This is Secret Oysters second step to stardom. When Secret Oysters first album (LHC 216) was a monumental debut, 'Sea Son' is a monster of an album type slightly psychedelic progjazz rock with clever use of electric piano and moog synthesisers along with a strong dose of melodic sax lines while Bohlings impressive guitar work really shines through and rules (listen to 9:16 long mind movie). A lot of furious solos and just a few soft ones mostly by guitar and sax, remarkable interplays between keyboards and sax, inventive breaks are also basic elements of this fantastic album. The work of Staehr on bass is outstanding and pushed the rhythm section more in direction Rock than Jazz. Album comes with insert, including story by Karsten Vogel and rare photos. Remastered. A truly fantastic album. Comes with one bonus track.

This is the first official re-release of Danish act Secret Oyster`s debut album and the first of a series of 4 reissues of Secret Oyster legacy of 4 fantastic albums from 1973-1976. Originally it was released through CBS Records in November 1973. Secret Oyster was founded by former members of Burnin´ Red Ivanhoe, Coronarias Dans and Hurdy Gurdy, all well professional and prolific Danish musicians. On their first album, internationally also sold under the name Furtive Pearl, the band play a jamming, slightly psychedelic type of instrumental prog -jazz-rock with strong and memorable themes which provide some hooks to hold on to. Dominant instruments on the album are guitar, organ/ electric piano and alto/ soprano saxes, latter played by Karsten Vogel who is known for his great work with Burnin´ Red Ivanhoe. The drums keep a steady driving beat throughout most of the album and formed with the bass a swinging rhythm section driving the music forward with constant energy. This is a fantastic album for lovers of the type of progressive rock with jazzy influences featuring long, improvised and instrumental sequences with a hard rocking rhythm section playing with unbelievable energy. Secret Oysters´ first album is a real tour de force, a high quality progressive jazz-rock album you shouldn´t miss. The CD comes with 10 pages booklet with band story and rare photos. Remastered from original tape with brilliant sound. Extremely great stuff! 2b1af7f3a8