[S3E5] It Flies In The Family
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Jay is frustrated at work, Manny is stressed out about school work, Gloria would like to help but no one seems to want it. Phil and Claire run into Councilman Duane Bailey again, who is out campaigning for his second run, and he's just as irritating as they remembered - so much so that Claire may give him a run for his money. Mitch and Cam get into a fender bender and the other car flees, which becomes the tipping point for all the men in the family who decides to take out their frustrations on the kid giving Haley problems.
Gloria was determined to help because \"I have all the answers!\" She browbeats Claire to within an inch of her life to find out why Claire isn't going to run for city council. It wasn't family issues; Claire just didn't want to lose. She didn't want the first thing she had done outside the house in eighteen years to be a failure. Gloria told her the story of a little girl who entered a beauty contest even though she was very scared she was going to lose.
The cake flies down the city streets, and as Crusher frantically tries to follow it, Pickle comes forward with some mail that is addressed to them. He asks Crusher to open it, but he refuses due to not having any time for that. When they hear Blaze and AJ, Pickle concludes that Blaze wants the cake but Crusher is determined not to let him get it. So he sends out bumper bots which bump him away.
Mr. Fischoeder convinces Bob to have the Belcher family pose as his own for Thanksgiving dinner at his mansion in order to seduce his old flame, famous sharp shooter and pursuer of married magnates, Shelby Schnabel. Bob is hired to pose as the cook While Linda and the kids pose as Calvin's family. Bob, distraught that his favorite holiday was taken from him, drinks too much absinthe in the kitchen and after a hallucinogenic \"My Neighbor Totoro\" themed dream, becomes emotionally attached to the turkey, Lance.
On the Tikhov, the away team finds the family's living quarters, where a holographic projection shows them playing a game. The mother hums to one child, and Burnham recognizes the tune as the lullaby played by Adira on the cello, which had been played by Senna Tal's parents when he was a boy. Burnham beams into the vault while Culber while Nhan, mesmerized by the holographic recording, says she wished she could have gone home before they traveled to the future. Barzan's poverty meant they invested in their children, she tells Culber. He says her family must have been proud when she joined Starfleet, but she says they were devastated, and can only imagine their reaction to her supposed death. Culber goes to check on Burnham, leaving Nhan to search their logs. She finds an entry in which the distressed father, Dr. Attis, says he cannot get out of the ion storm and that he cannot identify \"the light that hurt them.\" He speculates that the vault may contain a cure and the log ends, but Nhan notices he is distorted strangely in the recording.
Outside the vault, Burnham tells the others that it was as if his body was out of phase. Nhan reports seeing that in his log. Culber says grief appears to have caused Attis to disconnect from the reality that his family is dead, but Nhan says Barzans think about death differently than humans, meaning his behavior may be logical. Ultimately, Burnham notes, they need his voice authorization to obtain the Urna seeds. Burnham postulates that his phasing may be why he survived when his family did not.
Aboard Discovery, Stamets, Reno, and Tilly are nearly done studying the radiation. Willa notes the three do not have a particularly professional relationship. Burnham contacts them to report that Attis reported seeing a bright light, that the family's bodies have high concentrations of beta particles and that Attis is phasing uncontrollably. The trio quickly surmise that the Tikhov was hit by a coronal mass ejection from a nearby star. The massive radioactive proton storm would have been deadly, but they conclude Attis had been beaming into the vault at the time, and the CME interfered with the ship's magnetic shielding and destabilized his body's polarization on a quantum level. Tilly reports she believes she can bring him back into phase. They cut power to the stasis pods, drawing Attis out, and catch him in a transporter beam that brings him back into phase inside the seed vault. Willa tells Stamets, Reno, and Tilly that despite their disfunction, they make a good team, though Stamets and Reno disagree about whether they have accepted the dysfunction.
Nhan tells Attis that they are not trying to stop his search for a cure, just to obtain the Urna seeds, but Attis is unresponsive. Culber tells Burnham that she needs to make it clear to him that his family is dead and that he is in danger without getting help soon. Burnham tells him bluntly that his family is gone and that he knows there is nothing he can do to change that, but that the seeds could help the Kili. Tearful, Attis stands and enters his code, \"Amma Tolpra.\" Nhan says they are the most beautiful moons in the Barzan system. Attis replies they are also his dead daughters' names. Nhan withdraws the Urna seeds.
Scans suggest that a Barzan family were the last people to be custodians of the ship, so Nahn joins Burnham and Culber for the away team. The ship is overgrown inside, and they find a holographic representation of the family and, much to Burnham's shock, one of the children is humming the same tune that Adira was practicing on the cello last week. We can't possibly think what the connection is there. We learn more of Nahn's backstory as this primary plot unfolds, so it's painfully obvious that she either gets left behind or dies, just like Lt. Cmdr. Airiam in the Season 2 episode \"The Red Angel\" (S02, E10).
Back to Present After seeing Carmen with that painting, Otis was sure that his mother would meet her end at that place. Jeffries and Vera meet up with Nurse Olsen for questioning. She was the one-woman security check for the Philadelphia City Asylum. The day that Bettie left, she was in good spirits despite the fact that no family was there to meet her. She admits that Carmen was explosive, but Bettie was truly afraid of a woman named Zelda.
No show on TV is quite like HBO's Succession. With its explosive mix of comedy and drama, the series has swept award shows and topped critics' lists in the last few years. The series follows the trials and tribulations of the Roy family, as each of them tries to vie for power in their media conglomerate, Waystar RoyCo.
After work, Mr. Malloy spent most of his free time with his wife and son. He was a devoted father and loved to take his family hiking and camping in the Sierra Nevada mountains, and in the first weeks of summer, on cross-country drives to the coast of New England.
Likely intentional by the writers. They hinted earlier that to do something like this it would create a temporal paradox, and even went as far as to say a separate timeline might spring from it (iirc). Makes me think it was done this way to suggest that the other Malloy family might still keep going in another timeline.
I think so too. Ed was a giant jerk here. He has no consistency for when he opts to blow off rules. He let his Ex-wife get away with destroying a family because he personally felt their customs went against his. But this time he destroys the happy life his best friend created.
Yeah, the ending is kind of a reset button but it makes sense, that they decided to split the timeline and let Gordon live with his family. May they bring the story back later on. They have been good at it so far.
It would have been cool for Malloy to shoot them all in the back for trying to erase his family. After all, they are the ones who mucked up the rescue. They timeline obviously was not damaged, based on the obit and union files. Yep, he should have shot them. That would have made the Orville story better.
In adulthood, Larry married Sheryl Trainor, with whom he had two sons, Paul and Gary. However their relationship was strained. Larry would spend long nights away from home 'drinking with friends'. The family moved repeatedly and during each move Larry promised to be different this time. A promise he was set to break every single time. Some time before 1961, Larry met John Bowers, a colleague in the Air Force. Larry began a careful affair with John which lasted until his 'accident'.[5] His infatuation with John continued for years after that point.
Hours before his accident, Larry and John shared a moment. Larry fretted repeatedly about the flight the next day, and John revealed his request to be discharged. He tried to convince Larry to leave, to run away with him. Larry called him selfish and an argument ensued, during which John expressed anger about their relationship being second to Larry's family, and Larry revealed his fear at losing said family. John refused to change his mind
'Futility' is the emotion stirred in Larry by the canvas in front of him. Upon staring into it, he finds himself in the cockpit of his X-15, with Mr. Nobody urging him to grab the stick and drive the plane. Larry refuses until the plane falls into a nosedive, at which point he grabs hold of it with both hands, taking control of the plane and whooping. The scene cuts to Vic and then Rita, and when it returns to Larry he is high above Earth's atmosphere. Mr. Nobody claims to know what drives Larry, Larry responds \"I wanted to be a hero.\" Mr. Nobody retaliates: \"I know flying is just another word for fleeing.\" He shows Larry his wife, Sheryl, questioning him. He shows him John Bowers, asking him to make a choice between his family and his truth. Mr. Nobody continues to berate Larry for 'staying the course' and not making a decision, showing him John, face bubbling and burned. The plane falls into a nosedive again, crashing down to Earth as Mr. Nobody warns the team against looking for Caulder. 59ce067264